Adagio

The full release of Adagio, featuring
the Dolby Atmos mix and official music video, arrives July 3, 2026.

Adagio

The full release of Adagio, featuring
the Dolby Atmos mix and official music video, arrives July 3, 2026.

Adagio

The full release of Adagio, featuring
the Dolby Atmos mix and official music video, arrives July 3, 2026.

A piece of music shrouded in myth, allegedly rescued from the ruins of a bombed Dresden library and attributed to an 18th-century Venetian composer who may never have written it.


Seventy-six years later, a massive multitrack production—with a live orchestra, full arrangement, and lead vocal performance—faced its own kind of oblivion, abandoned and gathering dust on a Google Drive for five years.


Different eras, both left for dead, both waiting for the same breath of life.


Challenge accepted.

A piece of music shrouded in myth, allegedly rescued from the ruins of a bombed Dresden library and attributed to an 18th-century Venetian composer who may never have written it.


Seventy-six years later, a massive multitrack production—with a live orchestra, full arrangement, and lead vocal performance—faced its own kind of oblivion, abandoned and gathering dust on a Google Drive for five years.


Different eras, both left for dead, both waiting for the same breath of life.


Challenge accepted.

A piece of music shrouded in myth, allegedly rescued from the ruins of a bombed Dresden library and attributed to an 18th-century Venetian composer who may never have written it.


Seventy-six years later, a massive multitrack production—with a live orchestra, full arrangement, and lead vocal performance—faced its own kind of oblivion, abandoned and gathering dust on a Google Drive for five years.


Different eras, both left for dead, both waiting for the same breath of life.


Challenge accepted.

Shimi Goodman, Veteran of the West End and National Stages, had commissioned George Guerrette for a full show. At the end of that meeting, almost as an afterthought, he mentioned a recording he'd made five years earlier and never released. A beautifully performed live orchestral arrangement of Adagio, set in the classical genre. "See what you can do with it," he said. "And use as much of the original tracks as you can.”

Shimi Goodman, Veteran of the West End and National Stages, had commissioned George Guerrette for a full guest entertainer show. At the end of that meeting, almost as an afterthought, he mentioned a recording he'd made five years earlier and never released. A beautifully performed live orchestral arrangement of Adagio, set in the classical genre. "See what you can do with it." he said. "And use as much of the original tracks as you can.”

Shimi Goodman, Veteran of the West End and National Stages, had commissioned George Guerrette for a full show. At the end of that meeting, almost as an afterthought, he mentioned a recording he'd made five years earlier and never released. A beautifully performed live orchestral arrangement of Adagio, set in the classical genre. "See what you can do with it," he said. "And use as much of the original tracks as you can.”

Shimi and George on board Cunard Queen Mary 2.

Shimi and George on board Cunard Queen Mary 2.

Shimi and George on board Cunard Queen Mary 2.

George preserved what he could of the original — honouring the work that went into it — while building something entirely new around it. The tools were modern. The vision was singular. While the original orchestration opens the track like a memory; distant, warm, slightly faded, the world then shifts. What emerges is cinematic and inevitable…

George preserved what he could of the original — honouring the work that went into it — while building something entirely new around it. The tools were modern. The vision was singular. While the original orchestration opens the track like a memory; distant, warm, slightly faded, the world then shifts. What emerges is cinematic and inevitable…

George preserved what he could of the original — honouring the work that went into it — while building something entirely new around it. The tools were modern. The vision was singular. While the original orchestration opens the track like a memory; distant, warm, slightly faded, the world then shifts. What emerges is cinematic and inevitable…


A Bond-scale power ballad rising from the dust of a five-year silence.


For the climactic final chorus, the five-year-old recording is no longer a faded memory from the intro. It is brought back to life in full resolution as George fuses it with the contemporary production signature of his original work.


A Bond-scale power ballad rising from the dust of a five-year silence.


For the climactic final chorus, the five-year-old recording is no longer a faded memory from the intro. It is brought back to life in full resolution as George fuses it with the contemporary production signature of his original work.


A Bond-scale power ballad rising from the dust of a five-year silence.


For the climactic final chorus, the five-year-old recording is no longer a faded memory from the intro. It is brought back to life in full resolution as George fuses it with the contemporary production signature of his original work.

Video of Immersive Audio session with George Guerrette and 2026 Grammy-winner Justin Gray.

Live remote consultation with Shimi Goodman (London).

Video of Immersive Audio session with George Guerrette and 2026 Grammy-winner Justin Gray.

Live remote consultation with Shimi Goodman (London).

Video of Immersive Audio session with George Guerrette and 2026 Grammy-winner Justin Gray. Live remote consultation with Shimi Goodman (London).



George campaigned for a Dolby Atmos mix; Shimi agreed. The call went to Justin Gray—2026 Grammy winner for Best Immersive Audio Album—to mix and master. Shimi Goodman is now shooting a music video.


The production demanded it.

George campaigned for a Dolby Atmos mix; Shimi agreed. The call went to Justin Gray—2026 Grammy winner for Best Immersive Audio Album—to mix and master. Shimi Goodman is now shooting a music video.


The production demanded it.

George campaigned for a Dolby Atmos mix; Shimi agreed. The call went to Justin Gray—2026 Grammy winner for Best Immersive Audio Album—to mix and master. Shimi Goodman is now shooting a music video.


The production demanded it.

Shimi once explained why he'd waited

five years to release it.

Shimi once explained why he'd waited

five years to release it.

Shimi once explained why he'd waited

five years to release it.

“I was waiting to find the right person that could make it the way I heard it in my head. And I found him. What George has done with this song has truly exceeded all expectations. Working with Justin has been a real honour, and what he’s brought to it is simply remarkable.”

“I was waiting to find the right person that could make it the way I heard it in my head. And I found him. What George has done with this song has truly exceeded all expectations. Working with Justin has been a real honour, and what he’s brought to it is simply remarkable.”

“I was waiting to find the right person that could make it the way I heard it in my head. And I found him. What George has done with this song has truly exceeded all expectations. Working with Justin has been a real honour, and what he’s brought to it is simply remarkable.”

Justin Gray talks about the Adagio project.

Justin Gray talks about the Adagio project.

Justin Gray talks about the Adagio project.